Myopia…a focused look

A “show” was just a  passing thought one late winter night among unfinished pieces in my new studio space. My new work needed to be shown; Obliq Art had not put on a show in 16 months. …

Source: Myopia…a focused look

“Ancient Memories…Refuge”

I saw the deep borings in the wooden slab of White Oak and began exploring the notion of “refuge”.  Something was attracted to live within this part of the tree, something sought refuge and existence in this fortress, I could see the microcosm when looking closely. At the same time, the pattern in the wood and its DNA reminded me of desert landscapes from the southwest; the vast areas of wilderness.

Refuge 10-3

I began to create layers of air and sky by casting resin layers, relying on lost memories of desert sunsets above a remote beach. There were memories of clouds in the early morning and light at the golden evening hour. The various translucent layers, some with pearlecent and phosphorescent powders mixed with resin, emit an “other world” atmosphere. Immersed within the sky are spherical planets  that, provide an “other” world dreamlike hallucination .TAbleRefugeon Path FBMedium Web view

“Every moment of light and dark is a miracle” says Walt Whitman and I wanted to create and capture  these moments.

The work “Refuge” is cocooned in light; a light created with LED lighting that I call the great light and phosphorescent  light, the lesser light. The lesser light is “charged” by the LED light and continues to radiate “stored” energy as “light” long into the darkness.

Light provides healing according to popular studies. Light is an element and theme in my work while I explore the idea of the spiritual powers of healing and light. Healing became an influence in my work while researching and understanding healing. Embedded in all my recent work is earth from mission Chimayo outside Taos, New Mexico. Chimayo has been called “a place of healing”, http://taospueblo.com/ . I saw thousands of prayers posted as photos, hundreds of crutches hung on a wall and realized this too was a place of refuge. Many prayers are answered but many times it is not “God get me out of this” rather God get me through this. The more I meditate in prayer, the more I know that healing is much about surrendering.

There is something special about the wilderness-the quiet and solitude, marveling at the beauty created by God. It is a spiritual experience for me. The same with creating art, a spiritual discipline for me, much like  prayer.

I often think of the quote;

“We are not human beings having a spiritual experience. We are spiritual beings having a human experience.”― Pierre Teilhard de Chardin

The process of creating this piece allowed me to reveal the mysterious realms of native folklore and culture.  In this piece, the elements of sky, fire, earth and air are my way of capturing the essence of God. God is in the very nature of each element.Refuge Close Up

“Ancient Memories”…Refuge” 65″ x 20″ x 2″ White Oak, cast resin layers, LED lighting. I had many ideas, wishes and fantasies creating this piece of refuge and prayer.

www.stor-ybox.com  AnObliqArtist

“Ancient Memories are…in the Cloud”

Whale Shot Bench WEB 8-7
Progress shot

Beyond but beneath the obvious, a story emerges from a cutting  of alligator juniper, a lifeless slab of wood “beached” in my studio for over a year. I often looked at this piece of wood, imagining a design that never took place. Something else had to be released and it was an image created millions of years ago and now being revealed through the DNA of the wood and the mind and hands of a artists craftsman.

The whale has been released from its captivity, the DNA of eons of memories and layers of times ancient forests and a shallow sea filled with life. My imagination took over, remembering the times spotting whales against the backdrop of an expansive and seemingly empty sea, many times framed by the dramatic horizontal image where sky meets ocean. The composition of the piece with its long horizontal lines reminds me of the vast wilderness places; secluded mountains and beaches, the heat of the summer and the solitude the wilderness provides.I have had intimate moments with this creature in the wilderness and that was my direction and approach.


Whale Iris Blur Close
First 3 resin layers

I feel as if I am “hovering” over the scene, exploring what might be here, looking for waves, or fish. I realize I have flown over these coves, physically and meta physically. Maybe there is a connection for this piece of Arizona wood and the desert landscape. I think of the past life of this tree, musing over the DNA, perhaps dating back to the Jurassic period, when great whales and fish inhabited a  large inland and shallow sea that once was here in Arizona.


I cast the 67″ horizontal edge, vertically, allowing me to create layers of sky from my imagination. Distant green lights the color of an aurora borealis, contrast with the brilliant reds of sunsets and twilight times. The clear cast layers and multiple “spheres” describe a place of planets and distant stars. Thin blue and white layers reflect an ancient ocean where it meets an ancient land.

More musings to come as I continue to create the story of this piece.

62″x24″x3″ Alligator Juniper, cast resin layers.

http://www.stor-ybox.com

http://web.photodex.com/embed/9bd2a2x4?autoplay=true

“A New Covenant”

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New works Jan 2015

A wooden shard, cast and layered in translucent resin, fashioned as an oblique triangle and suspended against a dark primordial landscape. A haunting archetype of an outstretched body hung on a rugged cross.  Light permeates the translucent layers of the work and exposes small white bowls on a table containing the symbols of the “New Covenant”; Broken Bread & Poured Wine.

In this work, the wood is the archetype representing the earth element and the cycle of life.There are two distinct edges and surfaces to the wood; A rough surface representing the ruggedness of the cross and the full humanity of Christ.While a smooth, beveled edge representing the perfected life provided by the grace of God’s New Covenant.

Spiritual Echos1 Large e-mail view

Translucent layers of resin, colored with deep royal purples and pearlecent whites, allows light to penetrate several layers, revealing  the contrast between the heavens and the earth. When the communion station is viewed in the dark (and I am thinking a sanctuary) and when I “light charge”  the sculpture, what reflects back is an eerie internal light emitting blue, aqua and iridescent green light from within the layers. Cloud layers, distant land vistas and the light of twilight show the creation of the Creator.

Light creates a balance of synergy between the surfaces of the mixed media. The dark black/blues and rusts patina on the steel provide a strong contrast between the wood and resin casts. Milky translucent layers “center” the piece, a river of living water with three transparent spheres present in what can be imagined as the river of life.The mood of the piece provides great peace and stillness. Jesus is the Light of the World.

A New Covenant

Mixed Media 12″ x 24″ x 7″ Steel-Wood-Resin & Light

Website                 http://www.stor-ybox.com

40 Days and 40 Nights

The Mystery of Days
The Day
The Mystery of 40 Nights
The Night

 

 

I continue to be drawn to the themes of the cycle of life that center on renewal and rebirth and drawing on contrast between light and dark  in my artwork. I recognize that these are “esoteric” conversations but I am musing at the what is described as a “mystery” in a biblical sense.

The creative process compels me to a spirit of surrender, I know who my enemy is and surrender is the process by which we  succeed.. As Steven Pressfield  put’s it :

“Most of us have two lives. The life we live, and the un-lived life within us. Between the two stands Resistance. ” and “The more important a call or action is to our soul’s evolution, the more Resistance we will feel toward pursuing it.”

Surrender allows me to fuse my thoughts  into the ultimate source. It is space where our lives are coordinated with God’s plan for us. I let go and let mystery of God take over.

My latest mixed media sculptures depict the vastness of nature inspired by summers trips to Taos, Santa Fe and Sedona.  I call the pieces Terraforms- depictions of the desert southwest, where the viewer can have an experience of skyscapes and landscapes that make up the desert and forests of northern Arizona and New Mexico. I add the memories of the ocean of CA, Baja, Hawaii and Alaska coastlines into the works, my time surfing, fishing and diving.

40 Days and 40 Nights

Mixed Media 24″ x 6″ x 10″

Wood-Resin-Steel & Light http://www.stor-ybox.com

The Mystery of the Resurrection

Haboob web9-6

 

 

Resurrection, renewal, rebirth and the cycle of life are themes in my artwork. I recognize that these are “esoteric” conversations but I am musing at the what is described as a “mystery” in a biblical sense.  Knowing who God is a daily dying of yourself, its a surrender for sure.  Each day brings its own theme to the process of life and death when compartmentalized in a 24 hour period. How do we measure life? By the year, decade or generation. It makes a difference. In the maddening pace of current life, life can be measured in a day vs a decade.

My latest piece’s depict the power of nature in a miniature setting. Often I think of my pieces as #Terraforms, depictions of the desert southwest,where the viewer can have an experience of skyscapes and landscapes that make up the desert and forests of northern Arizona and New Mexico. Then I add the memories of the seascapes of CA, Baja and Hawaii coastlines. It’s a heavenly vision for sure.