“The Arrival”

Fish and BreadGliding over a canyon drawn by eerie lights penetrating the darkness. The spirit world beckons the arrival of the new light. It brings new meaning, new thoughts of well being, prosperity and peace. The hope that Light illuminates the hope in our lives. 

  “The most precious light is the one that visits you in your darkest hour!” Mehmet Murat Ildan

The arrival of this Light emboldens us to search and find new strength from a revived faith.  The Light allows us to experience a renewing of mind and spirit, bringing new ideas into unfinished parts in our lives.

koi in a circleI continue the theme of Light penetrating the darkness. My pieces act as ” lenses” diffusing LED light through the translucent layers of cast resin. Hidden layers of light come alive in dark settings, creating and emitting their own light illuminating our world.

Mixed media. $350 to $500 .

11″ to 15″ in height- 4″ to ” wide. Cast resins-wood-LED light and steel mounting hardware. The art of Larry Ortega

 

Exodus

Exodus A Collection WEB

Seeing the final phase of these pieces: final resin casts, the LED lighting location, additional airbrush detail, sanding, engineering hardware to attach the steel rod to a base.

Flying and hovering and strange night lights all part of the story of Exodus. Freedom is the theme of the Exodus and wings provide a unique freedom. I often have dreams of flying or hovering outside my body. Freedom is a spiritual feeling and is associated with light. SuperPhoto_Creation_2017-10-06 WEB AAAA Wonderful

The cast resin pieces become a lens diffusing LED light through the wing and surrounding area. It’s a soothing light, a light you might see in the distance of the desert wilderness. Exodus is a story of a flight to freedom through a desert wilderness. The journey is illuminated at times with a column of fire or clouds for the masses to follow during the day and during the night. A journey in the desert at night avoids the heat of the desert day and the stars of the night illuminate the desert floor.

New pieces-Cast Resin Wings: 34″-38″ wingspans. LED light-wood and resin bases. Series of 12 available this fall. More at: Online Gallery Website Exodus

Seeking the Sacred

Our personal journeys take us to many places. At times we find ourselves along paths that are unmarked and without light to guide us. We are forced to confront fears that only darkness can produce. But we are driven to explore, it is part of our DNA as humans whether it is reaching to the stars or the depths of the ocean or… the boundaries of our imagination. We begin the journey as children: bringing natural curiosity as artists, scientist, and philosophers.
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A new series of work titled “Beneath the Darkness” reveals imaginary desert and ocean realms. Places and moments of time where light penetrates the darkness providing hope, security, and inspiration. A concealed LED light illuminates the cast resin layers in the cross-like shape and radiates a light within the steel and plexiglass base.

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“Seeking the Sacred”

I had a sense of creating something sacred, perhaps a holy vessel, something that can produce a sense of peace and maybe miraculous healing. My own faith says that is possible. Some say that prayer is talking to God and meditation is listening to God. I hope the piece becomes that beacon providing the light into a voyage to a sacred harbor.
Two in a series: Resin-Steel & Light       19″x 11″x4″ See at the Ice House
First Friday April 7th 2017.

www.stor-ybox.com
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“Desert Passage”

My latest pieces explore the contrast of elements; where sky and earth meet
and where light penetrates the darkness. Translucence layers accentuate the
glimmering hues of color that shift in the light. Layers of translucent resins
create dream like landscapes and mirages. Mirages are deceptive and the small
nature of these pieces can deceive the viewer looking at the objects. I like to
imagine vast vistas of the sky and layers of clouds captured in a moment of time.
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“Desert Passages”
Inspiration for this new work comes from the desert and the
sea and where the sky meets earth and where light is
captured in a space of “luminous colored layers”. It
also comes from deeper inside-from the DNA of the
desert and sea and from the inner being of who I am.
“Am I a mirage”…Is a question that comes to mind.
4 Seasons Nice
“Desert Seasons”
Summer is passing in the desert and the light is shifting
higher in the sky…we transition to fall-then to winter-back to spring and then to summer. The seasons of the desert have one thing in common…Light.
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“Mirage”

Cubes and Terraforms

As the seasons change, I am transitioning into the hot summer days and nights. My spring work included some of my largest pieces including “Lost Memories” a 7′ casting into the live edge of a Sycamore slab.Lost Memories Hanging-Yellow

 

 

Late spring and going into the summer has me working on a series of cast resin cubes. I have describe some of my pieces as “terraforms” …worlds within worlds and “other worldly”. I see vast desert and ocean wilderness areas that have been part of my entire life. Dry clouds over a horizon, light dancing off the morning water and a millions stars illuminating the night sky.

Cube 2 ObliqArtist Closue up Nice

The desert has played a pivotal role throughout history including the flight of a group of immigrants redeemed from slavery and promised a” land” of milk and honey. A visible sign of an invisible God is seen in the distance.The column penetrates layers of clouds lighting the sky for all to see and never leaving them-strengthening the promise made long ago. Exodus 13:20-22

War of the Worlds

Set on lighted platforms or as a stand alone piece in a garden window and sills. The cubes absorb light energy and exchange it as luminescence, eerie illumination produced.  StoryBox-creations as An Obliq Artist Desert Journey Cube

Holy & Healing

 

A lost memory recaptured on recent trips to Taos, NM and Barcelona, Spain. A spiritual journey began with visits to churches and basilicas in Barcelona, Spain. Sagrada Famila is famous worldwide a church that has been under construction for over a 100 years and complete by 2025…they hope.Monstrance New WEB

Mission church Chimayo, outside of Taos is one of the best examples of an early Spanish Colonial mission. In this case, it is a “healing” place, like Sedona, AZ and other healing places in the southwest.  Chimayo mission is the site of physical and mental healings, some say miracles. We often mistake problems that require a spiritual solution-not a financial one.

Inside mission Chimayo are 2 separate rooms-in one, crutches hang on every wall, a testament of physical healing. From this room, you enter another room-low slung and no bigger than 10’x10′-central to this room is the small well in the middle of the floor of this room filled with the “healing” dirt from the land. Visitors are encouraged to take some of the dirt…Sandra did.Monstrance Fence-Night

My traditional view is that church buildings were built to inspire us to focus on God. Spires, stained glass windows, and items on the altar were created to depict religious themes and to point our lives away from the earthly realm and focus on a heavenly realm.

A limited series of work, I created with my favorite mixed media-Wood-Resin-Steel & Light and bringing into existence my own version of a “monstrance”.My vessels display something holy-fragments and I choose the land, sky, water and an unseen world.   There is a place where beings in the Rio Grande gorge ascend seeking a light from a wooden shard hovering above them and containing the healing power of the land. Light emitted from the piece breaks the darkness surrounding it. I think of the opportunity to spend moments of meditation during this period of light… a time of prayer and being thankful for all that God has created. Monstrance New WEB

 

 

 

 

 

 

“Ancient Memories…Refuge”

I saw the deep borings in the wooden slab of White Oak and began exploring the notion of “refuge”.  Something was attracted to live within this part of the tree, something sought refuge and existence in this fortress, I could see the microcosm when looking closely. At the same time, the pattern in the wood and its DNA reminded me of desert landscapes from the southwest; the vast areas of wilderness.

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I began to create layers of air and sky by casting resin layers, relying on lost memories of desert sunsets above a remote beach. There were memories of clouds in the early morning and light at the golden evening hour. The various translucent layers, some with pearlecent and phosphorescent powders mixed with resin, emit an “other world” atmosphere. Immersed within the sky are spherical planets  that, provide an “other” world dreamlike hallucination .TAbleRefugeon Path FBMedium Web view

“Every moment of light and dark is a miracle” says Walt Whitman and I wanted to create and capture  these moments.

The work “Refuge” is cocooned in light; a light created with LED lighting that I call the great light and phosphorescent  light, the lesser light. The lesser light is “charged” by the LED light and continues to radiate “stored” energy as “light” long into the darkness.

Light provides healing according to popular studies. Light is an element and theme in my work while I explore the idea of the spiritual powers of healing and light. Healing became an influence in my work while researching and understanding healing. Embedded in all my recent work is earth from mission Chimayo outside Taos, New Mexico. Chimayo has been called “a place of healing”, http://taospueblo.com/ . I saw thousands of prayers posted as photos, hundreds of crutches hung on a wall and realized this too was a place of refuge. Many prayers are answered but many times it is not “God get me out of this” rather God get me through this. The more I meditate in prayer, the more I know that healing is much about surrendering.

There is something special about the wilderness-the quiet and solitude, marveling at the beauty created by God. It is a spiritual experience for me. The same with creating art, a spiritual discipline for me, much like  prayer.

I often think of the quote;

“We are not human beings having a spiritual experience. We are spiritual beings having a human experience.”― Pierre Teilhard de Chardin

The process of creating this piece allowed me to reveal the mysterious realms of native folklore and culture.  In this piece, the elements of sky, fire, earth and air are my way of capturing the essence of God. God is in the very nature of each element.Refuge Close Up

“Ancient Memories”…Refuge” 65″ x 20″ x 2″ White Oak, cast resin layers, LED lighting. I had many ideas, wishes and fantasies creating this piece of refuge and prayer.

www.stor-ybox.com  AnObliqArtist