A lost memory recaptured on recent trips to Taos, NM and Barcelona, Spain. A spiritual journey began with visits to churches and basilicas in Barcelona, Spain. Sagrada Famila is famous worldwide a church that has been under construction for over a 100 years and complete by 2025…they hope.Monstrance New WEB

Mission church Chimayo, outside of Taos is one of the best examples of an early Spanish Colonial mission. In this case, it is a “healing” place, like Sedona, AZ and other healing places in the southwest.  Chimayo mission is the site of physical and mental healings, some say miracles. We often mistake problems that require a spiritual solution-not a financial one.

Inside mission Chimayo are 2 separate rooms-in one, crutches hang on every wall, a testament of physical healing. From this room, you enter another room-low slung and no bigger than 10’x10′-central to this room is the small well in the middle of the floor of this room filled with the “healing” dirt from the land. Visitors are encouraged to take some of the dirt…Sandra did.Monstrance Fence-Night

My traditional view is that church buildings were built to inspire us to focus on God. Spires, stained glass windows, and items on the altar were created to depict religious themes and to point our lives away from the earthly realm and focus on a heavenly realm.

A limited series of work, I created with my favorite mixed media-Wood-Resin-Steel & Light and bringing into existence my own version of a “monstrance”.My vessels display something holy-fragments and I choose the land, sky, water and an unseen world.   There is a place where beings in the Rio Grande gorge ascend seeking a light from a wooden shard hovering above them and containing the healing power of the land. Light emitted from the piece breaks the darkness surrounding it. I think of the opportunity to spend moments of meditation during this period of light… a time of prayer and being thankful for all that God has created. Monstrance New WEB

 

 

 

 

 

 

A “show” was just a  passing thought one late winter night among unfinished pieces in my new studio space. My new work needed to be shown; Obliq Art had not put on a show in 16 months. I thought of all the good times we had and miss so many of the artists and collectors and just friends who made Obliq Art a regular stop on First Friday…and that thought was sown into the universe that night. “The right people will show up”. “The right space will show up”. Sometimes you have to walk in faith. "Healing is...in the Cloud"

 

 

 

 

 

 

 

 

My work was about restoration of wood and about adding  a different dimension to wood. Clear and colorized resins were pour into termite caused borings. Phosphorescent resins casts were added as well as casts with pearlescent powders. Lost Memories was created this past winter. A  termite infested, crooked, twisted and weathered Sycamore slab that spent much time in the Arizona desert sun. A perfect piece to restore and reclaim. Another thought…Lives are like that.

 

LostMemoriesAgainst Gate Sepie WEB

Pete Deise and I have become friends over the last year. He reminds me of the surfer who first surfed Mavericks alone for years-a lonely pioneer living a pioneers life. I’m infatuated with his new work and personally I want to see his work integrated in some of the downtown buildings and projects I am involved with, like the Jackson Street Properties I selling. And I love helping him show his pieces. Its a little different installing and showing his pieces.

Pete Deis
Lunar

Justin Queal and I have been hanging about a couple of  years. Our first time showing together. We have had some lunches and times together talking about art.  Again another artist that I admire and getting to know him and his lovely artist wife, Abbey. Its a rich life when you have relationships like this. Flourish comes to mind when I think of Justin’s future.

Myopia Justin FB
Radiant Energy

 

 

 

 

 

Cheryl's totems Facebook
Cheryl Brandon

 

 

 

 

Constance McBride and Cheryl Brandon have been in my consciousness for a while, especially Constance whom I first met at Obliq Art at the Arizona Center. Met Cheryl at the Fred Tieken’s Az 45 show in his gallery in Paradise Valley. Two very distinct ceramic artists with a wonderful following. Great contrast to the large pieces.

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Constance McBride

Someone asked me, “When are your shows”? I guess the short answer is “When I want”.  Look forward to seeing how Obliq Art evolves. The Myopia show has allowed me and the other artist to experiment in the space.

The show opens again on Third Friday, March 18 at 7 pm and from noon to 5 PM on Saturday. Lots of parking behind the space as well as street and park parking.

New City Studio- 1300 N. Central Ave-across the street from the main Library and adjacent to Margaret Hance Park. Google Aerial.JPG

 

 

OnEArthAnna4Table Beautiful Medium Web viewA new body of work emerges using my favorite media: Cast resin, opalescent earth powders, steel, and self illumination. Illumination is a key element of the work and each work piece takes on a different atmosphere when viewed in a darkened setting. The elemental themes of Earth, Water, Air and Fire are present… but there is an emphasis on the “fifth” element; the element which describes matter beyond the material world. An invisible realm in existence before existence began, present at the beginning. OnEArthAnna4Table Beautiful2The ” On Earth as it is In Heaven” series, is an artistic depiction of a “realm” of time, space and the omnipresence relationship of the Creator. I visualize ancient seas and reefs, rugged mountain ranges, and translucent skies with imaginary dry clouds.These are recurring themes in this new body of work. My color palette is derived from the desert southwest where it meets the ocean, places well known to me.  My color palette consists of rust, ochres, turquoise, blues, greens, deep russet red, pearl white and shades of violet.

Phosphorescent powders mixed with resin are cast into a live edge of white Oak and provides an eerie glow.Wood-Patina Steel-Resin Casting and LightOnEArthAnna4Table BeautifulwSpirit onthetableLarge e-mail view

Somewhere along the journey, I transitioned from life around the seaCommunion Table, Descending Angel and Surfboards 1-12-15 363X300 to life in the desert. You see,  I grew up around the ocean in So Cal; surfing, fishing, boating. Next stop was Hawaii, where I to to support my family as a full time artists and live a surfers lifestyle and dream.

The major transition in my life was moving to the desert Southwest. What was a sea goer like me doing moving to the desert?  Looking back, I know why I am here and have been here for 35 years, it was a divine appointment.

I have remembered surfing every night since I have lived in Arizona. Not physically but mentally…every night before I go to sleep, I re-surf waves from the past from CA, Hawaii, Mexico, and Central America. I cannot get the images of the ocean out of my head. Nor the moments of stillness on the water, light dancing across swells in early morning or that last minute flash of light at sunset. Now that I look back, God was more in my mind, was more present on the ocean than perhaps anywhere else. The ocean cast a spell on me and has never let go. So did God.

Last year, I focused on a series of artwork entitled “A New Earth”. I remember being very sad reading there will be no sea in the New Earth. Bummer!

Now I saw a new heaven and a new earth, for the first heaven and the first earth had passed away. Also, there was no more sea.       Revelations 21 

At first, I was saddened at the comment. No sea, I thought heaven might be a place where I could have my own ocean, my own surf location far from the maddening crowds where I could share waves with my friends, where maybe a wipe out did not exist. But without an ocean, where was I going to surf? Then I realized, we will be surfing waves, waves that my limited mind could not fathom.Maybe I will be surfing light waves or sound waves?

So, here is a photo featuring my artwork; A Communion Station, A Table, and miniature glowing surfboards, all reminding me of a command…. “Do this in remembrance of Me”…its a mystical experience.

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New works Jan 2015

A wooden shard, cast and layered in translucent resin, fashioned as an oblique triangle and suspended against a dark primordial landscape. A haunting archetype of an outstretched body hung on a rugged cross.  Light permeates the translucent layers of the work and exposes small white bowls on a table containing the symbols of the “New Covenant”; Broken Bread & Poured Wine.

In this work, the wood is the archetype representing the earth element and the cycle of life.There are two distinct edges and surfaces to the wood; A rough surface representing the ruggedness of the cross and the full humanity of Christ.While a smooth, beveled edge representing the perfected life provided by the grace of God’s New Covenant.

Spiritual Echos1 Large e-mail view

Translucent layers of resin, colored with deep royal purples and pearlecent whites, allows light to penetrate several layers, revealing  the contrast between the heavens and the earth. When the communion station is viewed in the dark (and I am thinking a sanctuary) and when I “light charge”  the sculpture, what reflects back is an eerie internal light emitting blue, aqua and iridescent green light from within the layers. Cloud layers, distant land vistas and the light of twilight show the creation of the Creator.

Light creates a balance of synergy between the surfaces of the mixed media. The dark black/blues and rusts patina on the steel provide a strong contrast between the wood and resin casts. Milky translucent layers “center” the piece, a river of living water with three transparent spheres present in what can be imagined as the river of life.The mood of the piece provides great peace and stillness. Jesus is the Light of the World.

A New Covenant

Mixed Media 12″ x 24″ x 7″ Steel-Wood-Resin & Light

Website                 http://www.stor-ybox.com

Tranquility-#2 Medium Web view
Somehow the small cross sections in this series, seemed to enclose vast tracts of sky and earth. Phosphorescent layers of blue and aqua provide contrast to the clear layers and provide an inner light. A panorama of clouds float over desert landscapes. The smell of creosote, a natural desert plant in imbued in the wood a former railroad tie, perhaps used in the gold or copper mines of Arizona. Its rough worn surface is a perfect metaphor for the ageless qualities I feel in the desert southwest.

My studio is both for the creation of my work and a sanctuary where I perform the sacred rite of creating art. My hope is that my pieces evoke a sacrosanct and meditative mood.  Prayer and meditation provides you the portal to the spirit of God Himself.