“Ancient Memories…Refuge”

I saw the deep borings in the wooden slab of White Oak and began exploring the notion of “refuge”.  Something was attracted to live within this part of the tree, something sought refuge and existence in this fortress, I could see the microcosm when looking closely. At the same time, the pattern in the wood and its DNA reminded me of desert landscapes from the southwest; the vast areas of wilderness.

Refuge 10-3

I began to create layers of air and sky by casting resin layers, relying on lost memories of desert sunsets above a remote beach. There were memories of clouds in the early morning and light at the golden evening hour. The various translucent layers, some with pearlecent and phosphorescent powders mixed with resin, emit an “other world” atmosphere. Immersed within the sky are spherical planets  that, provide an “other” world dreamlike hallucination .TAbleRefugeon Path FBMedium Web view

“Every moment of light and dark is a miracle” says Walt Whitman and I wanted to create and capture  these moments.

The work “Refuge” is cocooned in light; a light created with LED lighting that I call the great light and phosphorescent  light, the lesser light. The lesser light is “charged” by the LED light and continues to radiate “stored” energy as “light” long into the darkness.

Light provides healing according to popular studies. Light is an element and theme in my work while I explore the idea of the spiritual powers of healing and light. Healing became an influence in my work while researching and understanding healing. Embedded in all my recent work is earth from mission Chimayo outside Taos, New Mexico. Chimayo has been called “a place of healing”, http://taospueblo.com/ . I saw thousands of prayers posted as photos, hundreds of crutches hung on a wall and realized this too was a place of refuge. Many prayers are answered but many times it is not “God get me out of this” rather God get me through this. The more I meditate in prayer, the more I know that healing is much about surrendering.

There is something special about the wilderness-the quiet and solitude, marveling at the beauty created by God. It is a spiritual experience for me. The same with creating art, a spiritual discipline for me, much like  prayer.

I often think of the quote;

“We are not human beings having a spiritual experience. We are spiritual beings having a human experience.”― Pierre Teilhard de Chardin

The process of creating this piece allowed me to reveal the mysterious realms of native folklore and culture.  In this piece, the elements of sky, fire, earth and air are my way of capturing the essence of God. God is in the very nature of each element.Refuge Close Up

“Ancient Memories”…Refuge” 65″ x 20″ x 2″ White Oak, cast resin layers, LED lighting. I had many ideas, wishes and fantasies creating this piece of refuge and prayer.

www.stor-ybox.com  AnObliqArtist

“Transparent Memories”

The “act” of layering, weaving and assembling is a new process in my latest work. Working on new pieces that have a theme of “healing”, where I encounter memories of drowning in my life. At the same time, wondering about the roots of the sea in my life far from an ocean in the desert. This piece seems to make connections and connect dots of memory. There is a sense and emotion of surrender. Healing takes place in the act of surrender…surrendering to healing. “Ancient Memories are…in the Cloud” outlines two whales who once lived in the shallow seas of Arizona during the Triassic period. The outline of a Sperm whale encases the entire piece while the ghost like image of a Humpback whale emerges from what at first looks like a mountain range. The whale’s dorsal fin provides a sense of movement flowing through that primitive sea.

“You are not a drop in the ocean. You are the entire ocean in a drop”. Rumi

I sense the DNA of trees, rocks and eons of time and the drop from the ocean contains the entire memory of a distant and primitive time.

Ancient Memories Like the rings of a tree, the translucent layers relate to time, and a distant space of land, sky and sea the one that has been  evolving over millions of years. Ancient translucent seas with turquoise seas, and cloudy summer vistas hover over a desert wilderness.

I know I have been here before…but its only an ancient memory now.

http://www.stor-ybox.com

“Ancient Memories are…in the Cloud”

Whale Shot Bench WEB 8-7
Progress shot

Beyond but beneath the obvious, a story emerges from a cutting  of alligator juniper, a lifeless slab of wood “beached” in my studio for over a year. I often looked at this piece of wood, imagining a design that never took place. Something else had to be released and it was an image created millions of years ago and now being revealed through the DNA of the wood and the mind and hands of a artists craftsman.

The whale has been released from its captivity, the DNA of eons of memories and layers of times ancient forests and a shallow sea filled with life. My imagination took over, remembering the times spotting whales against the backdrop of an expansive and seemingly empty sea, many times framed by the dramatic horizontal image where sky meets ocean. The composition of the piece with its long horizontal lines reminds me of the vast wilderness places; secluded mountains and beaches, the heat of the summer and the solitude the wilderness provides.I have had intimate moments with this creature in the wilderness and that was my direction and approach.


Whale Iris Blur Close
First 3 resin layers

I feel as if I am “hovering” over the scene, exploring what might be here, looking for waves, or fish. I realize I have flown over these coves, physically and meta physically. Maybe there is a connection for this piece of Arizona wood and the desert landscape. I think of the past life of this tree, musing over the DNA, perhaps dating back to the Jurassic period, when great whales and fish inhabited a  large inland and shallow sea that once was here in Arizona.


I cast the 67″ horizontal edge, vertically, allowing me to create layers of sky from my imagination. Distant green lights the color of an aurora borealis, contrast with the brilliant reds of sunsets and twilight times. The clear cast layers and multiple “spheres” describe a place of planets and distant stars. Thin blue and white layers reflect an ancient ocean where it meets an ancient land.

More musings to come as I continue to create the story of this piece.

62″x24″x3″ Alligator Juniper, cast resin layers.

http://www.stor-ybox.com

http://web.photodex.com/embed/9bd2a2x4?autoplay=true

“an Invisible God”

.Close up LED In the CloudsHow to imagine an “Invisible God”…so abstract but a thought that has taken over my imagination and my artwork

This journey began visiting churches and basilicas in Barcelona, Spain.  The church Sagrada Famila is famous worldwide and has been under construction for over a 100 years and should be complete by 2025. Then there is the church in Chamayo, NM where a small Catholic church is the site of great healing miracles, attributed to dirt around the area that provided many with healing miracles.  From my world view, church buildings were built to inspire us to focus on God. There were created to provide hope and to point our lives away from the earthly realm and focus on the heavenly beyond. Both church’s focus on God, connecting us to the heavenly realms, and encouraging the participant to focus on “looking” up.

My artwork focused on “this” invisible God who showed Himself to the people in a many different ways but my focus has been on the Pillar of Cloud, guiding the mass exodus during the day in the desert, and at night as a Pillar of Fire providing the escaping masses, a guiding light.Close-up-Iris-Blur

According to the story, God was visible…in a desolate desert, guiding the route and lighting the path and providing evidence of His existence. Exodus 13:20 is the start of the story, where now God exits the burning bush to emerge as a “Cloud” and a “Pillar of Fire”.

My artists persona wanted to create this vision  which led me to explore the mysterious realms of native folklore and culture, and the grandeur of a culture exposed to Christianity 2,000 years ago.  “In the Cloud” began as a collage of cast resin and wood pieces with an intent to capture an image of an “invisible God”.  In these pieces, Earth’s elements of sky, fire, earth and air are my way of capturing the essence of God. God is in the very nature of each element and represented by Light, Clouds and Fire.

Chimayo Snip InteriorSagrada FamilaGod is… in the clouds and in the sky and on this earth.

http://www.stor-ybox.com

“A Refuge”

TheRefugeWEB Large e-mail view

“A Refuge” is nearing finished, which is a magic moment for me and many artist I know.Some type of small animal sought refuge in this piece of White Oak. The refuge was carved out by some type of bug, and the hollow became large enough to provide sanctuary to some type of bird.

A mixed media work incorporating resins, colored with opalescent and pearlecent earth powders. Resins mixed with phosphorescent powders and cast in layers to produce an internal illumination when charged with ordinary light and super charged with UV lighting. Illumination is a key element of the work and each piece takes on a different look when viewed in a darkened setting. The translucent layers glow in the spot lights from underneath. The elemental themes of Earth, Water, Air and Fire are present… but there is an emphasis on the “fifth” element; the element which describes matter beyond the material world. An invisible realm in existence before existence began.

I’m inspired by the deserts of New Mexico, Arizona and Mexico, connected to the cycles of life and the seasons.  I am exploring the panorama of desert skies, the interaction of light at sunset, sunrise and twilight. At times I see water-less clouds teasing a parched land, or violent storm clouds bringing ranging floods. Desert sunsets are a gift and one that I experience from my studio every day.

Water is a renewing element, water cleanses and brings new life and it is very precious in the desert. And yet,  I keep returning to the sea and as I explored this piece of White Oak, I could feel the edge of the wood and imagine a beautiful wave cresting and breaking on some imaginary beach I’ve created in my mind. I imagine beautiful things in heaven and I am exploring beautiful things on earth. I’m reminded how blessed I am.

More art work on my website http://www.stor-ybox.com

TheRefugCloseupWEBLarge e-mail view

On Earth as it is In Heaven

OnEArthAnna4Table Beautiful Medium Web viewA new body of work emerges using my favorite media: Cast resin, opalescent earth powders, steel, and self illumination. Illumination is a key element of the work and each work piece takes on a different atmosphere when viewed in a darkened setting. The elemental themes of Earth, Water, Air and Fire are present… but there is an emphasis on the “fifth” element; the element which describes matter beyond the material world. An invisible realm in existence before existence began, present at the beginning. OnEArthAnna4Table Beautiful2The ” On Earth as it is In Heaven” series, is an artistic depiction of a “realm” of time, space and the omnipresence relationship of the Creator. I visualize ancient seas and reefs, rugged mountain ranges, and translucent skies with imaginary dry clouds.These are recurring themes in this new body of work. My color palette is derived from the desert southwest where it meets the ocean, places well known to me.  My color palette consists of rust, ochres, turquoise, blues, greens, deep russet red, pearl white and shades of violet.

Phosphorescent powders mixed with resin are cast into a live edge of white Oak and provides an eerie glow.Wood-Patina Steel-Resin Casting and LightOnEArthAnna4Table BeautifulwSpirit onthetableLarge e-mail view

“Remember Me”-Even When Surfing

Somewhere along the journey, I transitioned from life around the seaCommunion Table, Descending Angel and Surfboards 1-12-15 363X300 to life in the desert. You see,  I grew up around the ocean in So Cal; surfing, fishing, boating. Next stop was Hawaii, where I to to support my family as a full time artists and live a surfers lifestyle and dream.

The major transition in my life was moving to the desert Southwest. What was a sea goer like me doing moving to the desert?  Looking back, I know why I am here and have been here for 35 years, it was a divine appointment.

I have remembered surfing every night since I have lived in Arizona. Not physically but mentally…every night before I go to sleep, I re-surf waves from the past from CA, Hawaii, Mexico, and Central America. I cannot get the images of the ocean out of my head. Nor the moments of stillness on the water, light dancing across swells in early morning or that last minute flash of light at sunset. Now that I look back, God was more in my mind, was more present on the ocean than perhaps anywhere else. The ocean cast a spell on me and has never let go. So did God.

Last year, I focused on a series of artwork entitled “A New Earth”. I remember being very sad reading there will be no sea in the New Earth. Bummer!

Now I saw a new heaven and a new earth, for the first heaven and the first earth had passed away. Also, there was no more sea.       Revelations 21 

At first, I was saddened at the comment. No sea, I thought heaven might be a place where I could have my own ocean, my own surf location far from the maddening crowds where I could share waves with my friends, where maybe a wipe out did not exist. But without an ocean, where was I going to surf? Then I realized, we will be surfing waves, waves that my limited mind could not fathom.Maybe I will be surfing light waves or sound waves?

So, here is a photo featuring my artwork; A Communion Station, A Table, and miniature glowing surfboards, all reminding me of a command…. “Do this in remembrance of Me”…its a mystical experience.

“A New Covenant”

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New works Jan 2015

A wooden shard, cast and layered in translucent resin, fashioned as an oblique triangle and suspended against a dark primordial landscape. A haunting archetype of an outstretched body hung on a rugged cross.  Light permeates the translucent layers of the work and exposes small white bowls on a table containing the symbols of the “New Covenant”; Broken Bread & Poured Wine.

In this work, the wood is the archetype representing the earth element and the cycle of life.There are two distinct edges and surfaces to the wood; A rough surface representing the ruggedness of the cross and the full humanity of Christ.While a smooth, beveled edge representing the perfected life provided by the grace of God’s New Covenant.

Spiritual Echos1 Large e-mail view

Translucent layers of resin, colored with deep royal purples and pearlecent whites, allows light to penetrate several layers, revealing  the contrast between the heavens and the earth. When the communion station is viewed in the dark (and I am thinking a sanctuary) and when I “light charge”  the sculpture, what reflects back is an eerie internal light emitting blue, aqua and iridescent green light from within the layers. Cloud layers, distant land vistas and the light of twilight show the creation of the Creator.

Light creates a balance of synergy between the surfaces of the mixed media. The dark black/blues and rusts patina on the steel provide a strong contrast between the wood and resin casts. Milky translucent layers “center” the piece, a river of living water with three transparent spheres present in what can be imagined as the river of life.The mood of the piece provides great peace and stillness. Jesus is the Light of the World.

A New Covenant

Mixed Media 12″ x 24″ x 7″ Steel-Wood-Resin & Light

Website                 http://www.stor-ybox.com

Light Thru Spiritual Horizons

Tranquility-#2 Medium Web view
Somehow the small cross sections in this series, seemed to enclose vast tracts of sky and earth. Phosphorescent layers of blue and aqua provide contrast to the clear layers and provide an inner light. A panorama of clouds float over desert landscapes. The smell of creosote, a natural desert plant in imbued in the wood a former railroad tie, perhaps used in the gold or copper mines of Arizona. Its rough worn surface is a perfect metaphor for the ageless qualities I feel in the desert southwest.

My studio is both for the creation of my work and a sanctuary where I perform the sacred rite of creating art. My hope is that my pieces evoke a sacrosanct and meditative mood.  Prayer and meditation provides you the portal to the spirit of God Himself.