My inspiration for this series title “Sacred Vessels” come from my thoughts about healing. I look at materials I used in creating this series, it is about the wood that I choose, wood that had a previous use and spent time in the desert weathering the elements over many seasons. It has marinated in the DNA of the desert and recorded the desert experience both day and night. 
Spiritually speaking, I have explored the nature of healing and the influence of light to the process. God is described as Light in many of the major religions. Light plays an important role in my work. Most of my pieces are infused with translucent phosphorescence layers. These layers emit a light, a glow in dark and the darker the setting the stronger the light.
I remember an evening where my mind and soul wandered into a thick darkness, a wilderness place that I came across looking for answers to prayer and meditation on healing I was seeking. In the heavy darkness, one of my pieces provided enough light to refuel faith and hope.
Taos is spiritually magical and has special places of healing and mission Chimayo being one of those healing places. I embed soil I have collected from Mission Chimayo within all my artwork. 
I like to believe that my pieces help contemplate spirituality. That although God is invisible his manifestation can be perceived by the power of Light, the emotion of love. and His healing nature.
Finally, music influence my work and remembered the message from the group Jars of Clay.
I am influenced by my desert surroundings. My studio faces stony mountains and a jagged skyline, such a contrast between sky and land. The heat in the summertime consumes you and demands your attention. During the day the sun lingers high in the sky and the heat remains throughout the night. The silence of the desert accentuates my senses releasing memories along the journey, many times now with a fresh perspective.
I try to imbue thoughts of faith, restoration, and healing within my work. I believe light has healing power for the body, mind and spirit. I add healing soil collected from healing areas in the southwest such as 
With this new series, I have created a sense of motion in the piece. This new work has the piece hovering and gliding over desert and ocean landscapes or seascapes. The different pitch provides a sense of descending, flying or a sense of hovering. The changing color of light creates a wide range of spiritual moods, from calmness and healing to a sense of peace.
The elements of earth, air, and water intermingle as an intruder looms above the land. The resin impregnated the live edge of this piece of wood creating a seascape showing a sea floor and a sky hovering over the ocean. Clouds are suspended between layers and emit an eerie glow. An LED pulsates light behind the piece and illuminating a portion of the ray.
Gliding 
Termite infested and weather worn; a crooked wooden slab… perfect for reclaiming and restoring lost memories. Inner hostilities confronted the lost memories at every turn and I realize how life shapes these thoughts. I’m aware of these forces fighting within me. There are jagged and sharp pitted edges shaped by nature and the exposed elements, a lifeless but beautiful fragment of a once prosperous life; a majestic Sycamore tree once living the wilderness experience to its fullest.
Light beckons the viewer to experience light, its an “eerie” glow that lasts well into the night. The light beckons the viewer to touch the smooth and now alive and transformed piece of wood. Light brings life to art and to life itself.