Sacred Places-Sacred Light

Light Sconce1 Fence Standard e-mail viewAs the story goes, the creation of light was the first command given by the Creator.

“Light serves as a powerful metaphor of knowledge, clarity, warmth, spirituality. In art light can serve as a stand-in for the experience of higher states of consciousness. Artists through the ages have appreciated the attractive properties of light and incorporated its qualities into their works. From the reflective gold and jewels of Byzantine mosaics to the changing atmospherics of the Impressionists, from the dramatic chiaroscuro of the Baroque painters to the electrically powered pieces of contemporary artists, each era has found its own articulation for the divinely originated illumination.” Richard Bledsoe

Somehow the small cross sections  in this series, seemed to enclose vast tracts of sky and earth. They held a sense of great distances and the interplay of atmospheric conditions within the translucent resin casts. Clouds meet air and land near the sea. The smell of creosote, a natural desert plant in imbued in the wood a former railroad tie with years of service in my desert landscape and formerly a header in a territorial arch that once was part of my home/studio.

Light comes from two sources, a hidden LED light source which in turn radiates in the various layers of the piece that were cast with pearlescent and phosphorescent powders. An internal glowing light, a light from within is created with the phosphorescent layers, blues-greens and aqua colors.

There is a sense of reverence in the land around Taos; New Mexico, and Taos is an inspiration to my new work. My studio is both for the creation of my work, and is is a sacred space as well; working as an artist is a religious rite with me at time.I hope that my pieces  evoke a sacred feeling and can be hung in sacred places and created for prayer and meditation where you might feel the shadow of the spirit of God himself.

http://www.stor-ybox.com

A Kingdom Temptation

CloseupEdgeEarth meets Heaven

After fasting for 40 days and 40 nights, Jesus meets Satan in the remote wilderness. After several  providing several temptations, Satan brings him to a mountain and the rest of the story is presented in Matthew 4:8-11

Again, the devil took Him up on an exceedingly high mountain, and showed Him all the kingdoms of the world and their glory. And he said to Him, “All these things I will give You if You will fall down and worship me.”

10 Then Jesus said to him, “Away with you,[d] Satan! For it is written, ‘You shall worship the Lord your God, and Him only you shall serve.’”[e]

11 Then the devil left Him, and behold, angels came and ministered to Him.

The transluscent layers on one of the sides of the piece was created from multiple cast of resin, some clear casts, some layers showing colors and shapes that depict floating clouds and desert rain showers, sunlight, land and sea masses from earth and transcend even deeper to the depths of hell. My imagination takes me to the Kingdoms  describe in the passage. High above the valley below, I can see the miles and miles of earth, sea and air and the kingdoms promised.

40 Days and 40 Nights

Thoughts and Process

Sacred Vessels:

The Mystery of Days The Day

The Mystery of 40 Nights The Night

I continue to be drawn to the themes of the cycle of life that center on renewal and rebirth and drawing on contrast between light and dark  in my artwork. I recognize that these are “esoteric” conversations but I am musing at the what is described as a “mystery” in a biblical sense.

The creative process compels me to a spirit of surrender, I know who my enemy is and surrender is the process by which we  succeed.. As Steven Pressfield  put’s it :

“Most of us have two lives. The life we live, and the un-lived life within us. Between the two stands Resistance. ” and “The more important a call or action is to our soul’s evolution, the more Resistancewe will feel toward pursuing it.”

Surrender allows me to fuse my thoughts  into the ultimate source. It is space where our lives are coordinated…

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40 Days and 40 Nights

The Mystery of Days
The Day
The Mystery of 40 Nights
The Night

 

 

I continue to be drawn to the themes of the cycle of life that center on renewal and rebirth and drawing on contrast between light and dark  in my artwork. I recognize that these are “esoteric” conversations but I am musing at the what is described as a “mystery” in a biblical sense.

The creative process compels me to a spirit of surrender, I know who my enemy is and surrender is the process by which we  succeed.. As Steven Pressfield  put’s it :

“Most of us have two lives. The life we live, and the un-lived life within us. Between the two stands Resistance. ” and “The more important a call or action is to our soul’s evolution, the more Resistance we will feel toward pursuing it.”

Surrender allows me to fuse my thoughts  into the ultimate source. It is space where our lives are coordinated with God’s plan for us. I let go and let mystery of God take over.

My latest mixed media sculptures depict the vastness of nature inspired by summers trips to Taos, Santa Fe and Sedona.  I call the pieces Terraforms- depictions of the desert southwest, where the viewer can have an experience of skyscapes and landscapes that make up the desert and forests of northern Arizona and New Mexico. I add the memories of the ocean of CA, Baja, Hawaii and Alaska coastlines into the works, my time surfing, fishing and diving.

40 Days and 40 Nights

Mixed Media 24″ x 6″ x 10″

Wood-Resin-Steel & Light http://www.stor-ybox.com

The Mystery of the Resurrection

Haboob web9-6

 

 

Resurrection, renewal, rebirth and the cycle of life are themes in my artwork. I recognize that these are “esoteric” conversations but I am musing at the what is described as a “mystery” in a biblical sense.  Knowing who God is a daily dying of yourself, its a surrender for sure.  Each day brings its own theme to the process of life and death when compartmentalized in a 24 hour period. How do we measure life? By the year, decade or generation. It makes a difference. In the maddening pace of current life, life can be measured in a day vs a decade.

My latest piece’s depict the power of nature in a miniature setting. Often I think of my pieces as #Terraforms, depictions of the desert southwest,where the viewer can have an experience of skyscapes and landscapes that make up the desert and forests of northern Arizona and New Mexico. Then I add the memories of the seascapes of CA, Baja and Hawaii coastlines. It’s a heavenly vision for sure.

Exploring Spirtuality

Rio Grande Gorge
Rio Grande Gorge

As an artist, I am creating a journal of experience, each work adding time and dimension and explanation of an alternate reality created in my imagination. I am fascinated with both the mystery of things and the discovery of new experience. My themes: Healing, The Beginning, The End, Kingdoms and worlds. My visions are inspired by nature and scripture; depictions of the creation and the Creator. Landscapes and mindscapes; places created for healing, or renewing ones spirit and the effects of light coming through darkness. Recent work includes small steel and resin cast “altars” and my versions of “Milagros created for contemplation, healing, interaction and communion.

My chosen media has changed in the seasons of my life. Painting was my media for a majority of my formal training. Resins were part of my life as a surfer and craftsman as a “glasser” in the surf industry. The translucent nature of the media inspires me to create skies, oceans and coastlines. The ocean has been a primal attraction my entire life…even as a desert dweller. I continue to explore coloring resins, incorporating steel cases and boxes to create mini altars and meditation stations.

My latest works incorporate native Arizona wood and resin cast into the burls of the wood to create new visions of worlds at a time of the New Earth. Concealed illumination penetrates the resin to create a mysterious landscape that creates a sense of wholeness, healing and peace.